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Andy Cavatorta



The Projectors for Simulacrum by Winter Guests



The Microcosm Projectors are my first purely visual pieces. Both contain tiny cut paper worlds in motion. They were created for the performance Simulacrum, which tells the mythical-feeling life story of its principal dancer — 77-year-old, Japanese-born Flamenco legend Shõji Kojima.

Simulacrum was a production of Winter Guests, with director and choreographer Alan Lucien Øyen and writier Andrew Wale. I collaborated with Åsmund Færavaag, their longtime set designer, on concepts, designs, and prototypes.

It was all wondeful, new territory. We experimented extensively with origami, paper, animation and storytelling, optics and projection. We also visited Japan together to learn all about Kabuki theater and the world of Shõji's childhood.

Many thanks to Wayne Ashley and FuturePerfect Productions for including me in the projects.



Alan and Åsmund of Winter Guests
Shõji Kojima
Andrew Wale of Winter Guests
Early experiments with forms
Paper experiments
Åsmund vs. origami
Alan wants a giant origami backdrop
The Norwegian Swim Team
Giant Origami Experiments


The Train Window Projector



Train Window Projector sets the backdrop for the story of the train journey that separates his repressive childhood from his first experiences reinventing himself in Europe.

These feaured tiny cut paper worlds made by illustrator Nicole Skibola.



Nicole did this 8 hours a day
adding details
such tiny worlds!
sunlight test
early projector prototyps
beautiful details


We were inventing a new type of projector. So we had to experiment with so many types of lenses and lamps. But as always, we started as simply as possible. Just a fresnel lens, a bright light, and a drill.





Since we never miss an opportunity to make things more beautiful or more difficult, the exterior of the projector is meant to be a sculptural object, too.



My very first concept doodle
Nichole's concept illustration
3D model to figure out dimensions


Here is a good look at the finished version.





The Deep Forest Projector



Shõji spent much of his childhood in the forest, pondering his own identity and future. The forest images are full of portent and mystery. I wanted a forest that was still and ever-moving at the same time. I came up with a technique using layers of cut-out forest and optical tricks with refraction and focus.



testing with the giant lens
Nicole's 'Box of Fate' concept
Nicole with the finished projection


Here is the forest during part the process of fine-tuning.





The final case itself was beautifully painted and block printed by Nicole and Marina Litvinskaya.



The deer
Projecting
The three fates



Nicole and the stagelight test.